Flying & falling fantasy a magical favorite
Mary Poppins comes to the Bowie stage
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The crowd holds their breath as senior Blake Pousson hangs upside down from the top of the stage, his voice carrying throughout the theatre. How did he get up there? What some don’t realize is that tons of theatre technicians are constantly working backstage to bring the show to life, including lifting up Pousson and “A” cast member sophomore Eric Larson to walk on the ceiling every night.
This year’s musical, Mary Poppins, featured some of the most extensive tech equipment and systems that the Starlight Theatre Company has ever used before: there’s projections, lighting, set, fly, costumes, makeup, sound, and even magic.
“I’m shocked that we actually got [the musical] done on time,” fly crew member junior Shelby Papst said. “It’s always a push towards the end to get everything finished on time and we got a lot we need to get done… and before you know it, it’s show week. Time is just not in our favor, ever.”
While every show has the basic tech, the new inclusion of magic brought new animation to the set. One of which is bag magic, where props master junior Emma Thomas sits behind a set piece and delivers props to Mary Poppins’s iconic bag through a hole in the wall.
“It takes a lot more work than a lot of people would think it does because we build everything from scratch– it’s a lot of work,” Thomas said. “But our job is to remain
unseen, so we do all of that for really not a lot of credit so that’s kind of the point. But it is extremely satisfying if you do your job right.”
According to technicians, the smoothest part of tech’ing for the show was actually the fly.
The STC hired an outside company to assist them. Papst operates part of the walk that Bert takes on the stage, taking either Pousson or Larson across the top each night.
“Watching him up there [for the first time]… it was hard to keep working because everybody was just… stunned,” Papst said. “Every night, seeing the audience freak out for it, that’s probably one of the best parts. I don’t even know if the audience gets as excited as the technicians do just seeing it happen. The first time, it was like, ‘that’s magic.’”
Mary Poppins came to an end on January
21 with the cast’s last performance of “Supercalifragilisticexpialidocious” as they ran off stage. After weeks of preparing, the techs finally saw their hard work take on a life of its own.
“It’s a lot, and it’s so much on you and your body and your mind that you’re like ‘oh my gosh this is really hard,’ but in the end it’s so worth it because I love showing art and working with all of the technicians,” head tech senior Shelby Kelley said. “It’s so worth it and I’m proud of what we have done so far.”
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